Maria Bello's Anti-Marriage Vows
By Jesse Kornbluth posted
Intellectually and cosmetically, Jocelyn’s at least a nine. But she lives alone, and her deepest relationship with a male is with her dog. Worse yet, when we meet her, that dog has died, and she is marking the event with both a funeral and a tear-stained reception.
Even among the cast of The Jane Austen Book Club—the new film that burdens the genre of chick flicks with actual ideas—Jocelyn is an extreme case. Which makes her an ideal role for Maria Bello, the actress who, in her real life, is addicted both to reading and her independence.
For women who aspire to be brainy beauties, Bello could be the ultimate. She’s best remembered for highstakes dramatic roles in World Trade Center, The Cooler, and A History of Violence, and one satiric turn, in Thank You for Smoking. But her career is not all-consuming.
A self-described “novel whore,” she not only reads three books a week, she writes; between movies, she’s revising her first novel. Then there are her personal commitments. She has motherhood covered via Jackson, her 6-year-old son with a former boyfriend. And although there’s not a lot of time left over for romance, she’s exuberant about her new flame, Bryn Mooser, “a musician and a writer and an unbelievable person.”
Like her character in the Austen book club, Bello does not lack for opinions. Unlike Jocelyn, she’s clear eyed about herself and her situation. And she has long thought—in a way that Jocelyn wouldn’t quite understand— that long-term commitment may not be for her.
In past interviews, she has delivered eye-openers that now strike her as inoperative. For example, “I never want to get married. I’m like a guy that way.” And nothing against monogamy, but she has wondered how fidelity makes sense when modern medicine keeps us alive two or three lifetimes longer than our ancestors?
And then there are her myriad interests and obligations. Acting, parenting, reading, writing, spiritual exploration—so, isn’t even the most compelling guy doomed to get this woman’s leftovers?





