Rejection & Moving On: Lessons From Downton Abbey [Spoilers!]

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How To Move On: Rejection On Downton Abbey
Rejection hurts … no matter what year you're from.

No relationship comes with a guarantee. In other words? Rejection is always a possibility. This week's episode of Downton Abbey highlights three painful rejection scenarios: Ivy rejects Alfred, Alfred rejects Daisy, and Mary rejects Lord Gillingham (yet again). While their relationships all deal with different dynamics and motivations, there's a real thread of commonality: In all instances, these characters demonstrate grace, honesty and dignity.

Rejection is incredibly painful, whether you're living in the Abbey or are a modern day dater. So painful that it can lead people into therapy. A successful, well-dressed client in her early thirties laments:

"When I first meet someone, I feel great. The closer we get, the more I like the person, the more afraid I am that I will get hurt like I did in my last relationship. It's a double-edged sword because the closer we get, the more insecure I feel."

Similarly, a teacher in his mid-twenties describes: 

"When Sandra ended it, I couldn't get out of bed for days. I couldn't think straight and kept wondering, what's wrong with me? There must be something defective or she would have loved me the way I loved her, with full abandon."
 
Can you relate? As a therapist, part of my role is to help people come to terms with rejection. By exploring their patterns in relationships, family history, and the types of partners they choose, many clients learn to look their their rejection through a new lens. They may even come to discover that the person who dumped them did them a favor — and that they are better off. By learning to choose kinder, more available or otherwise more suitable partners, many discover that a healthier, happier relationship is possible. So how does this play out on Downton Abbey?

Facing Rejection With Dignity Communicates Self-Worth
When Lord Gillingham proposed to Lady Mary a few episodes back, Mary declared that she felt completely unable to contemplate marriage to anyone.  Struggling to absorb and grieve the death of her beloved husband, Matthew Crawley, Mary needed time. A lot of time. Lord Gillingham responded to Mary's first rejection by becoming engaged to another. Soon thereafter, he broke his engagement; he simply could not get Lady Mary out of his mind or his heart. Over lunch, he professed his love for Mary once more. And when he was rejected for a second time, he replied:

"I don't want to twist your arm, and I know that you won't make a decision until it suits you. I won't give up Mary; not until you walk down the aisle with another man. And, very possibly, not even then."

Whether or not Mary will come around (she seems to have more sparks flying with houseguest Mr. Blake) viewers get the sense that Lord Gillingham is a true gentleman who respects Mary's grieving needs. Furthermore, his confidence conveys that he likes himself enough to remain optimistic; his self-respecting approach conveys (without spelling it out) that if she does not choose him, he will be just fine. Lord Gillingham also realized it is a mistake to marry someone else, when his engagement was obviously driven by a reaction to Mary's rejection. Whether Mary's rejection is temporary or permanent, he faces it with class and style. 

Downstairs, Alfred has been swooning over the wide-eyed and moderately self-absorbed Ivy for months. When Ivy grants Alfred the slightest drop of attention during his visit from London, Alfred (in the midst of grieving his father's death) overreacts to her modest affection with a proposal of marriage. Ivy wants bigger and better things than she thinks Alfred can offer. Alfred accepts Ivy's feelings, and finally realizes he has been barking up the wrong tree. 

Meanwhile, the more mature and no-nonsense Daisy is devastated, and not just at Alfred's failure to reciprocate her romantic feelings. She is equally frustrated that Ivy does not appreciate Alfred's devotion. To shield herself from the pain of rejection, Daisy visits her father-in-law and friend (from her first, unconsummated, marriage) on his farm. Daisy's father-in-law adores her so completely that he has difficulty imagining how anyone could reject her. That said, he implores Daisy to see Alfred, face-to-face, to say goodbye. He helps her put together a beautiful package of goods to gift for Alfred's journey back to London. Daisy's elegant presentation of these gifts, along with her good wishes demonstrate an inspiring template for facing rejection:

Alfred: You know Ivy's turned me down ... I think I've been a bit blind where she's concerned.
Daisy: Love is blind.
Alfred: You've always been so good to me Daisy. So true, that I could never see it.
Daisy: That's kind of you to say, and good to hear. I've loved you Alfred, I'll not deny it. But that's done ... It's time for you to go your way and me to go mine.
Alfred: But you wish me well?
Daisy:  Oh I do Alfred, yeah, so well. So very well. Friends forever.
Alfred: Friends forever, Daisy. Right. Now this really is goodbye.

Daisy's dignified goodbye is inspiring for anyone struggling to accept a romantic rejection. And while it seems quite likely that Alfred will regret his choice for years to come, it's Ms. Pattmore's response to Daisy that ringes truest to me, as a therapist and as a mother: "Do you know, when you brought up that basket, I was so proud of you I felt like crying out.  If you were my own daughter, I couldn't be prouder than I am now."

Do you think Lord Gillingham is wasting his time? Are you proud of Daisy, too? Leave a comment below.

More on how to move on from YourTango:

This article was originally published at . Reprinted with permission.
Article contributed by
Advanced Member

Elisabeth LaMotte

Counselor/Therapist

Social worker, psychotherapist, blogger and author of "Overcoming Your Parents' Divorce"

Location: Washington, DC
Credentials: LICSW, MFT, MSW
Specialties: Communication Problems, Dating/Being Single Support, Divorce/Divorce Prevention
Other Articles/News by Elisabeth LaMotte:

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