Losing My Husband, Then Learning Of His Infidelity
By Julie Metz. Posted on .
I looked up, distracted by the sound of the sliding porch door, followed by a blast of cold air. The EMS guys had arrived with a gurney and gear and gently hustled me out of the kitchen. Emily followed right after them.
You'll know it's bad when they take you to the little waiting room. Emily held my left arm. Her face was pale, her lips still rosy from the cold, her dark bobbed hair peeking from under a familiar blue cloche hat. Matthew sat on my right. Matthew was tall, built like a tree. The sad-eyed young doctor told us it was a pulmonary embolism. A blood clot, formed in the leg, had moved upward and lodged in the lung, causing cardiac arrest. They had tried everything they could to revive him.
But.
Everything moved in slow motion as I processed his words. This couldn't be right. Whenever we'd watched Six Feet Under together, the main characters made it safely to the next episode. I slid off my chair to the floor and screamed.
"You can lie next to him if you want," Emily offered. She was calm, amazingly, looking at Henry's lifeless body on the gurney. "Go ahead, it won't bother me at all."
I climbed up onto the narrow gurney and lay down next to him. He would have wanted me to note every detail for him—the way his chest was still warm, while his arms were already stiff and cold and his fingers were curled and blue. He had a bruise on the left side of his face. It was comforting to rest there with my arm around him, touching him in a familiar way, relieved still to have a companion, even a quiet one.
He had beautiful feet, elegantly articulated toes, like the feet on a Greek statue. I peeled back his shirt to look at the distinctive scar on his chest. A bit of cornhusk had punctured his skin while he was working on a farm as a teenager. The healing wound had formed an inch-long raised keloid that I loved to touch in the dark. I touched the large and dark mole on his left shoulder. I felt the scar over his right eye, received as a child in a hotel in Honolulu (designed by Frank Lloyd Wright, Henry always added when telling the story), when a window had fallen suddenly out of its molding as he passed under it with his family. All his scars and moles, so well known to me, like stepping stones marking the way home through a dark wood.
Two nurses came in. "You should go home now and get some rest," one said. She put her hand on my shoulder, squeezed me gently.
Emily took my arm and we walked down the fluorescent-lit corridors and stepped out into the twilight, a remarkable sky of inky blue with low hanging clouds. A flock of black birds rushed up into the sky, their wings moved in unison, a tragic banner.


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